Nicholas Uhlmann - Jason Cordero - Friday 22 April - Saturday 14 May 2022

Nicholas Uhlmann
Jason Cordero

Friday 22 April - Saturday 14 May 2022

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Nicholas Uhlmann

Sculpture

Friday 22 April - Saturday 14 May 2022

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*Please note, thumbnail images are cropped, view details to see work in full.

South Australian sculptor Nicholas Uhlmann has developed a distinctive method of wrapping a steel armature in layers of thin metallic strips. He has refined this ...

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Coming to Terms: Eagle Form

Coming to Terms: Serpent Form

$25,000

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Coming to Terms: Eagle Form

Stainless steel & resin

150 cms ht.

$15,000

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Sold

Coming to Terms: Serpent Form

Corten steel

240 cms ht.

$15,000

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Intimate 1 (I)

Corten steel & mild steel

53 x 120 x 25 cms

$4,500

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Intimate 1 (II)

Stainless steel & lead

53 x 120 x 25 cms

$4,500

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Intimate 2

Corten steel & mild steel

52 x 64 x 33 cms

$4,000

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Voyager Coming to Terms

Corten steel, lead & resin

57 x 70 x 46 cms

$6,500

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Voyage Into Being

Corten steel, lead & resin

60 x 68 x 50 cms

$6,000

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The Eagle & the Serpent II

Corten steel, mild steel, brass & resin

44 x 45 x 30 cms

$5,000

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Sold

The Marriage 2020

Corten steel, stainless steel, mild steel, copper, brass, resin & timber

75 x 52 x 25cms

$6,500

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Jason Cordero

Speechless

Friday 22 April - Saturday 14 May 2022

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*Please note, thumbnail images are cropped, view details to see work in full.

Jason Cordero is an Adelaide based artist with a strong interest in concepts of possession, perception and belonging. His practice is focused on painting and ...

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Artist's Statement

Flowers have become symbols to express complex ideas and thought. They form proxies for the inexpressible: joy, grief, ecstasy, mystery, longing, regret, acceptance; an endless list, emotive states, as transient and potent as they are spontaneous, and for which words are often inadequate.

A shadow of such spontaneity, each painting in this body of work created itself, in that there was no initial composition in mind, I simply started to mark the canvas with charcoal and paint, letting the image resolve itself from the confusion, from the uncertainty. The flowers don’t represent actual species, they are as new or transformed as the complexities of the world as it is. Adrift in skies, or overwhelming the ground, the tangles and convergences of flowers reflect something other. Their speechlessness, however, is not silence.