Geoff Mitchell
Adelaide Blue (or the Murder of Martin Schongauer)
Friday 17 June - Saturday 9 July 2022
Porcelain
*Please note, thumbnail images are cropped, view details to see work in full.
Geoff Mitchell’s work is a meditation on beauty, history, myth and the unconscious in which he creates fragmentary narratives in dream-like landscapes. These works are ...
View Geoff's profileTree Surgery
Wheel thrown Australian porcelain
13.2 x 10 x 10 cms
$1,250
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Gentleman with Steed
Wheel thrown Australian porcelain
7.3 x 7.3 x 7.3 cms
$580
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Bust of a Man in a Hat Gazing Upward
Wheel thrown Australian porcelain
16.5 x 16.5 x 3.6 cms
$1,220
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Birds and Trophies
Wheel thrown Australian porcelain
11.9 x 7.7 x 7.7 cms
$720
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Ball-Peen
Wheel thrown Australian porcelain
11.4 x 11.4 x 2.5 cms
$620
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Cockatoo and Trophies
Wheel thrown Australian porcelain
8 x 8 x 7.4 cms
$520
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Fly Fishing
Wheel thrown Australian porcelain
7.8 x 7.8 x 6.5 cms
$490
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Fish Among Anemones I
Wheel thrown Australian porcelain
10 x 10 x 6.6 cms
$680
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A Bureaucrat with Tools of the Trade
Wheel thrown Australian porcelain
7.5 x 7 x 7 cms
$590
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Robin and Teapot
Wheel thrown Australian porcelain
7.2 x 7.2 x 7.6 cms
$490
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This Is Not a Music Box
Wheel thrown Australian porcelain
7.1 x 7.1 x 5.2 cms
$620
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Reaching for the Impossible
Hand carved Australian porcelain with green glaze
20.5 x 20.5 x 3.5 cms
$1,180
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Small Dish with Carved Decoration
Hand carved, wheel thrown Australian porcelain with green glaze
13.5 x 13.5 x 4.2 cms
$220
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Small Bowl with Carved Decoration
Hand carved, wheel thrown Australian porcelain with green glaze
12.3 x 12.3 x 5 cms
$180
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Stem Cup with Carved Decoration
Hand carved, wheel thrown Australian porcelain with green glaze
10.2 x 10.2 x 6.7 cms
$150
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Fearful Beasts Numberless, Strange and Hurtful, Breed on Earth
Hand built Australian porcelain
36.2 x 36.2 x 4 cms
$5,000
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Girl in Half Figure
Wheel thrown Australian porcelain
19 x 19 x 4.3 cms
$1,300
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Round Box with Marks of the Hand of the Artist
Wheel thrown Australian porcelain
9.7 x 9.7 x 3.9 cms
$750
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Foolish Virgin with Fan
Wheel thrown Australian porcelain
32 x 11 x 11 cms
$5,200
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I Wandered in a Lonely Place Under the Gaze of Evil
Wheel thrown Australian porcelain
38.4 x 13 x 13 cms
$4,650
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Madonna with Egg
Wheel thrown Australian porcelain
18.3 x 18.3 x 3.6 cms
$1,350
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Man with a Turban Going to Market
Wheel thrown Australian porcelain
14.1 x 14.1 x 3.8 cms
$790
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The Executioner
Wheel thrown Australian porcelain
7.8 x 7.4 x 7.4 cms
$590
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Fishing with Accompaniment
Wheel thrown Australian porcelain
8 x 8 x 7.3 cms
$580
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Intermediate James
Wheel thrown Australian porcelain
23.8 x 23.8 x 4.6 cms
$990
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Bring Me His Head Here on a Platter
Hand built Australian porcelain
29.8 x 29.8 x 3.2 cms
$4,700
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Tasting the Forbidden Fruit
Wheel thrown Australian porcelain
13.7 x 13.7 x 2.6 cms
$600
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Snake and Weeds
Wheel thrown Australian porcelain
13.5 x 13.5 x 2.5 cms
$890
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Fish Among Anemones II
Wheel thrown Australian porcelain
8 x 8 x 4.6 cms
$680
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St. Martin with the Swine
Wheel thrown Australian porcelain
23.5 x 14 x 14 cms
$5,990
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Captain Cardoni Gets the Jab
Wheel thrown Australian porcelain
19 x 10.6 x 10.6 cms
$1,250
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Virgin by the Garden Wall
Wheel thrown Australian porcelain
29.2 x 29.2 x 3.6 cms
$4,200
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Frog in a Basket
Wheel thrown Australian porcelain
31.3 x 15.3 x 15.3 cms
$4,900
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Hooked
Wheel thrown Australian porcelain
7.7 x 7.7 x 6.9 cms
$520
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Chancy
Wheel thrown Australian porcelain
7.1 x 7.1 x 6.7 cms
$540
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The Game was Played with Studious Concentration
Hand built Australian porcelain
36 x 36 x 4 cms
$4,500
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Datsun Tran
Stories from Above
Friday 17 June - Saturday 9 July 2022
Works on paper
*Please note, thumbnail images are cropped, view details to see work in full.
Datsun Tran is an Australian multidisciplinary artist. His work primarily features the natural world, though it is about us, the human story. His work has ...
View Datsun's profileArtist's Statement
Stories from Above
When the pandemic started in early 2020, life changed so quickly and so dramatically for many of us that a lot of people were in utter shock. Some experts suggested it was some sort of mass scale grief. Grief for a world that was now gone. I think deep down, a lot of us were yearning for a revolution of sorts. Something needed to change in our hectic 21st century lives, and change was forced upon us. We needed to adapt, to separate from the status quo and find a new routine. There was some pretty questionable behaviour. But there were also positives when people were forced to slow down. People spent more time with their families, they baked more, they made beautiful gardens. They realised what was important to them when the noise was gone. Suddenly, aeroplanes stopped flying above us, and the streets were empty, the world was taking a collective deep breath.
I revisited the first artforms I learnt. My dad taught me calligraphy and photography when I was a child, but it was something I had stopped doing in my teens. I also started looking up to the stars in the evenings. I looked at all the different constellations and read many versions of stories humans have told themselves from all over the world when they looked up. It’s a relationship we’ve had with the night sky for as long as we’ve been around. Guides to live our lives by.
But in these new times, I wanted new guides. I reached into my past and I created new constellations from stories that were told to me as a child, and stories that I was passing onto my daughter. These were the lifelines I reached out for when the world tilted on its axis, and I needed to hold onto some sort of stability. Family, art and the stars. Classical Chinese paintings tell stories from everyday life, pass on old legends and record momentous events. And these new times contained all of these things. We must all be explorers in this new world. To be brave and bring fire back to others needing warmth and light. We need to step out into the unknown and know that our lifelines, while tenuous, are there to sustain us.
Lord Archer
Pine ash, acrylic ink and 18k gold on mulberry paper
90 x 73 cms
$3,600
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Kuafu the Boaster Chasing the Sun
Pine ash, acrylic ink and 18k gold on mulberry paper
73 x 94 cms
$3,700
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Nezha the Protector
Pine ash, acrylic ink and 18k gold on mulberry paper
73 x 90 cms
$3,600
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Chang Se
Pine ash, acrylic ink and 18k gold on mulberry paper
65 x 49 cms
$1,500
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The Great Sage, Equal to Heaven
Pine ash, acrylic ink and 18k gold on mulberry paper
87 x 73 cms
$3,600
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Lady of the Moon
Pine ash, acrylic ink and 18k gold on mulberry paper
88 x 73 cms
$3,600
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Jiangliang the Strong and Good
Pine ash, acrylic ink and 18k gold on mulberry paper
62 x 49 cms
$1,500
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Cangjie
Pine ash, acrylic ink and 18k gold on mulberry paper
60 x 49 cms
$1,500
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God of the North, Herald of Winter
Pine ash, acrylic ink and 18k gold on mulberry paper
100 x 116 cms
$6,000
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Omen of Ruinous Weather
Pine ash, acrylic ink and 18k gold on mulberry paper
60 x 49 cms
$1,500
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Goddess of Mercy
Pine ash, acrylic ink and 18k gold on mulberry paper
65 x 49 cms
$1,500
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Great Master Kui
Pine ash, acrylic ink and 18k gold on mulberry paper
97 x 73 cms
$3,700
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Pangu Separates Heaven and Earth
Pine ash, acrylic ink and 18k gold on mulberry paper
100 x 73 cms
$3,800
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Explorer 5
Pine ash ink on mulberry paper
80 x 50 cms
$2,500
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Explorer 6
Pine ash ink on mulberry paper
80 x 50 cms
$2,500
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Explorer 4
Pine ash ink on mulberry paper
80 x 50 cms
$2,500
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Explorer 2
Pine ash ink on mulberry paper
130 x 102 cms
$6,000
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Explorer 3
Pine ash ink on mulberry paper
127 x 102 cms
$6,000
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Explorer 1
Pine ash ink on mulberry paper
128 x 102 cms
$6,000
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Gallery hours
Tuesday to Friday: 10:30 am – 5:00 pm
Saturday: 2:00 pm – 5:00 pm
Or by appointment
Please note: The gallery does not open until 1:30 pm on the Friday of an exhibition opening. Please check our Future Exhibitions page for opening dates.
We are COVID-compliant at BMGART.
Please be assured that we are adhering to our COVID-Safe Plan in all of our gallery operations by maintaining physical distancing and taking all the precautionary measures required by Government bodies and health authorities to stop the spread of COVID-19, as well as complying with government regulations surrounding gallery events.